In my previous two
posts on Jacobean revenge drama I explored the way food adopts more negative
connotations, being used for nefarious purposes or to symbolise corruption
(see
http://pagetoplate.blogspot.co.uk/2014/05/apricots.html and http://pagetoplate.blogspot.co.uk/2014/06/the-corrupting-effects-of-food.html). In Paradise Lost (published 1667),
John Milton retells in a long epic poem the story of the fall of Adam and Eve,
a narrative with food at its heart. As
originally narrated in chapter 3 of the Biblical book of Genesis the
serpent, the most cunning of all God's creation, tempts Eve to eat from the one
tree in the Garden of Eden that God has forbidden her and Adam from eating
from, namely the tree of the knowledge of good and evil. Eve subsequently persuades Adam to eat;
cursed by God, Adam and Eve are expelled from the Garden of Eden and sin is
brought into the world.
In his twelve book
epic treatment of this short Biblical myth, Milton indulges the reader with long
descriptions of the naturally-occurring fruits in the Garden of Eden, Adam and
Eve’s pre-lapsarian meals and then the actual consumption of the forbidden
fruit. In Book V the archangel Raphael
visits Adam and Eve, and Eve – like a model 17th century housewife –
prepares a meal.
She gathers, tribute large, and on the
board
Heaps with unsparing hand; for drink
the grape
She crushes, inoffensive must, and
meaths
From many a berry, and from sweet
kernels pressed
She tempers dulcet creams. (ll. 343-47)
There is an emphasis
on abundance – food grows plentifully in the Garden of Eden, and earlier in
Book IV Adam and Eve are described as eating nectarines which the “complaint
boughs / yielded them” (ll. 332-333); the food is freely offered up to
them. The only food referred to is fruit,
and no actual cooking is involved (there is no reference to heat being applied
to the fruit). Instead, Eve crushes grapes
to make unfermented (non-alcoholic) juice, makes mead from berries and from
seeds or nuts produces some type of sweet cream.
Raphael dines with Adam and Eve from a painting by William Blake