One of the most interesting features of Daniel Defoe’s novel Robinson Crusoe is the detailed accounts of how the protagonist learns to survive on an uninhabited desert island. Once he has built and furnished his shelter, he begins a journal (using paper and ink that he had found on the wrecked ship) and, through this, documents his attempts to build his own version of English society on the island. He describes making different shelters, building a boat, civilizing a savage – Man Friday whom he rescues from cannibals - and, most importantly for my purposes, growing and cooking food.
In my last post – see http://pagetoplate.blogspot.co.uk/2014/08/food-survival-manual.html - I wrote about the goats that live abundantly on the island which are Crusoe’s principal source of meat – he does also eat turtle and wild fowl – and his only source of dairy food. But whilst the goats provide ready food – they just need to be captured or shot, then cooked – other food requires time. Fortunately Crusoe – who spends 28 years on the island – has plenty of that.
Sunday, 21 September 2014
Sunday, 31 August 2014
Food: A Survival Manual
The summer sun and the holidays mean I haven’t blogged for a few weeks. But whilst I was sitting on my tropical holiday island – well, okay, the Costa Brava – one of my chosen books for holiday reading was the account of a man’s experience on a desert island, namely Daniel Defoe’s Robinson Crusoe.
First published in 1719, Robinson Crusoe is one of the earliest novels written in English. A first-person account of the protagonist’s experience of being shipwrecked on an island off the coast of South America for more than 28 years, the novel can be read in a number of ways.
First published in 1719, Robinson Crusoe is one of the earliest novels written in English. A first-person account of the protagonist’s experience of being shipwrecked on an island off the coast of South America for more than 28 years, the novel can be read in a number of ways.
Thursday, 24 July 2014
Food for Angels
In my last post on
Milton's Paradise Lost I referred to the episode where, prior to the
Fall, the archangel Raphael visits Adam and Eve in the Garden of Eden and dines
with them - see http://pagetoplate.blogspot.co.uk/2014/07/forbidden-fruit.html
Eve crushes grapes to
make a non-alcoholic drink and makes mead - presumably also without alcohol -
from berries, and also "from sweet kernels pressed / ... tempers dulcet
creams" (Book V, ll. 346-47). I
assume that by kernels Milton means nuts and that Eve makes some form of nut
cream to feed Raphael.
As luck would have
it, there are seventeenth-century recipes for almond cream, a dish that I am
familiar with. The Accomplish'd
Lady's Delight In Preserving, Physick, Beautifying, and Cookery - how's
that for the title of a cookery book! - published in 1675, provides the
following recipe:
Sunday, 6 July 2014
Forbidden Fruit
In my previous two
posts on Jacobean revenge drama I explored the way food adopts more negative
connotations, being used for nefarious purposes or to symbolise corruption
(see
http://pagetoplate.blogspot.co.uk/2014/05/apricots.html and http://pagetoplate.blogspot.co.uk/2014/06/the-corrupting-effects-of-food.html). In Paradise Lost (published 1667),
John Milton retells in a long epic poem the story of the fall of Adam and Eve,
a narrative with food at its heart. As
originally narrated in chapter 3 of the Biblical book of Genesis the
serpent, the most cunning of all God's creation, tempts Eve to eat from the one
tree in the Garden of Eden that God has forbidden her and Adam from eating
from, namely the tree of the knowledge of good and evil. Eve subsequently persuades Adam to eat;
cursed by God, Adam and Eve are expelled from the Garden of Eden and sin is
brought into the world.
In his twelve book
epic treatment of this short Biblical myth, Milton indulges the reader with long
descriptions of the naturally-occurring fruits in the Garden of Eden, Adam and
Eve’s pre-lapsarian meals and then the actual consumption of the forbidden
fruit. In Book V the archangel Raphael
visits Adam and Eve, and Eve – like a model 17th century housewife –
prepares a meal.
She gathers, tribute large, and on the
board
Heaps with unsparing hand; for drink
the grape
She crushes, inoffensive must, and
meaths
From many a berry, and from sweet
kernels pressed
She tempers dulcet creams. (ll. 343-47)
There is an emphasis
on abundance – food grows plentifully in the Garden of Eden, and earlier in
Book IV Adam and Eve are described as eating nectarines which the “complaint
boughs / yielded them” (ll. 332-333); the food is freely offered up to
them. The only food referred to is fruit,
and no actual cooking is involved (there is no reference to heat being applied
to the fruit). Instead, Eve crushes grapes
to make unfermented (non-alcoholic) juice, makes mead from berries and from
seeds or nuts produces some type of sweet cream.
Raphael dines with Adam and Eve from a painting by William Blake
Sunday, 15 June 2014
The Corrupting Effects of Food
In my last post I wrote about apricots in The Duchess of Malfi and how they were used to ascertain the Duchess's suspected pregnancy. Once the pregnancy - and the Duchess's marriage to her steward Antonio, her social inferior - were confirmed, the Duchess's villainous brothers set out to destroy her and her family (see http://pagetoplate.blogspot.co.uk/2014/05/apricots.html).
The idea that food, rather than being a form of celebration or sustenance, can have a more malevolent side to it, seems to be a popular idea in the early 17th century Jacobean revenge drama. At times it is used metaphorically, particularly in relation to sex. In Thomas Middleton's play, The Changeling (c. 1622), the villainous servant, De Flores, afflicted with a facial deformity, considers the possibility that he may be able to persuade his mistress, Beatrice-Joanna, to sleep with him in return for his killing her unwanted suitor, Alonzo.
The idea that food, rather than being a form of celebration or sustenance, can have a more malevolent side to it, seems to be a popular idea in the early 17th century Jacobean revenge drama. At times it is used metaphorically, particularly in relation to sex. In Thomas Middleton's play, The Changeling (c. 1622), the villainous servant, De Flores, afflicted with a facial deformity, considers the possibility that he may be able to persuade his mistress, Beatrice-Joanna, to sleep with him in return for his killing her unwanted suitor, Alonzo.
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